I’ve added new event photos of Clive Owen attends the Vertu Global Launch Of The ‘Constellation’ at Palazzo Serbelloni on October 18, 2011 in Milan, Italy.
Archives for 2011
For his latest role, Clive Owen sports a moustache. It doesn’t really suit him and so it’s no surprise that when he turns up in a Toronto hotel room the day after his new film, Killer Elite, has just premiered, the upper-lip hair has been eradicated. Owen jokes that the day he shaved it off was a happy one for his wife, Sarah-Jane Fenton.
Killer Elite is an adaptation of Sir Ranulph Fiennes’s controversial 1991 book The Feather Men. Claiming to be a true story, The Feather Men describes how four British Army soldiers were assassinated by a group known as “The Clinic” under the orders of a sheikh whose sons were killed by British forces in Oman.
Owen says “the truth” with an air of scepticism, suggesting that he doesn’t quite know whether to believe the story or not. “This is one of those movies where when they say it’s based on the book, it’s meant in the broadest terms,” says Owen. “It really is just taking the original premise – the original central storyline of those guys getting killed and a group of ex-SAS people trying to find out who is behind the killings.”
It’s no surprise that the Coventry-born actor didn’t refer to the book often; he tends not to, he says, when approaching adaptations. “I’m a great believer that once you start shooting, you have to go with the script,” he says. “If you are making a script based on a book it can be frustrating going back to the source novel, because you’re turning the story into a totally different thing; the narrative of film is different from that of a book.”
The 46-year-old flits between serious discussions about the craft to making jokes at his own expense in a heartbeat. His seriousness of approach has paid dividends in his appearances on screen, from his first success in the ITV series Chancer in the early Nineties, through his game-changing turn in Croupier right up to his big hits, Children of Men and The Inside Man. The laughing and the joking has been kept hidden from public view as the actor rarely grants interviews to the British press, who, to be fair, have not always been kind to one of our biggest acting successes.
The same could be said of Owen’s co-star in Killer Elite, Jason Statham. He’s far more appreciated and a much bigger star in America than he is on our own shores. It could be argued that Owen just got too big too quickly – he seemed to suffer from a domestic backlash mainly, perhaps, because of over-exposure.
The actor admits that he may have said yes to too many roles a few years ago, and that he almost turned his back on the movie business. “I’d be a liar if I said that I’d never thought about giving up,” he admits. “I’d done too many films back to back and got tired, for the first time really. I’ve always been passionate about acting; it’s the only thing I’ve wanted to do – but there was a time a number of years back where I started to realise that the rhythm of constantly making films wasn’t great for me.”
So he decided to make some changes and take on fewer projects. Over the past year Owen has only been seen on our cinema screens in Trust, although he has two films on at Toronto, the second being the ghost story Intruders, which, like Trust, is also about the fears and emotions that parents can pass on to their children.
The father-of-two chose Killer Elite because, “I was intrigued and fascinated about what happens to these highly trained guys in the elite forces – who go through this rigorous training and find themselves in the most intense situations – when they retire and have to live a normal life.”
The action involves Owen going head-to-head with Jason Statham in a fight. The Croupier star is not known for his fight scenes, although he admits a secret love for doing them: “I approach those scenes like every other kind of scene in a movie. I quite enjoy them. You have to act in them, in the same way that you have to in dialogue scenes; you have to be convincing and show that the stakes are high.” Of course he hit the gym a bit more to prepare for his face-off.
There was plenty of speculation that Owen was destined to take on the James Bond mantra before Daniel Craig landed the tuxedo. He says the story was all media hype. “It was never on the radar. There was nothing to it. I’d done a film, Croupier, where I’d worn a tuxedo and there was nothing more than that.” When asked whether he would ever take on the role, though, he’s very careful to give a vague response and not rule the possibility out.
He likes to keep out of the limelight when at home in London. He avoids hot-spot restaurants that attract the paparazzi, choosing instead to go to quiet places near his home. He has no inclination to move to America; both his daughters are at school here and the actor has made London his home ever since he went to drama school in the capital in 1984.
His interest in acting had started at school. “I remember the first part I ever got; the thing that got me into acting was that I did a school play. I played the Artful Dodger – and a lot of people probably think I’ve been playing the same fucking part ever since.”
His first roles after drama school were in the theatre and the actor admits that he has a yearning to return to the stage – although the longer he leaves it, the harder it becomes.
In the meantime, despite slowing down on work, there are a number of projects about to escape into the public domain. He has shot a new film with Man on Wire director, James Marsh, Shadow Dancer, about a young girl from an IRA family, who, after failing to detonate a bomb, is forced into becoming a rat by MI5. Andrea Riseborough and Gillian Anderson also star.
At the moment he’s really most excited about Ernest Hemingway. He has just completed filming a two-hour HBO film, Hemingway & Gellhorn, about the writer and his third wife. Nicole Kidman stars as war correspondent Martha Gellhorn.
“I read everything about him, and everything by him,” says Owen. “I became a huge fan. I found this great guy who knew everything about Hemingway’s Paris and I went on walking tours with him. The legacy that guy left is truly outstanding. I went to Cuba and visited his house and they let me in to look through his books. His clothes are still in the closet. So I know a lot about him now.”
Speaking of legends, Robert De Niro also pops up in Killer Elite and Owen says that the time spent working with him was all too brief. Yet despite many feeling that De Niro’s best years are behind him, Owen argues that he learnt a lot simply by watching De Niro at work.
Also on the horizon, Owen says, is an out-and-out comedy that he’s currently in talks about. It would be the first time that the actor has taken on a determinedly comic role. He cannot say more while in the negotiating stage, but he seems positively enamoured by the script. When he’s going to find time to do theatre is anyone’s guess.
Every time I’ve spoken to a director about Owen, the one comment that always comes back is how nice a guy he is. It’s hard to argue with that assessment as we chat, so I ask whether he’s aware of his reputation with directors for being the nicest guy in the business. His retort, “I con them all.”
‘Killer Elite’ is on general release
Source: Independent UK
British actor Clive Owen is a badass. A man’s man. He’s got a deep voice, a heavy face, and is usually in movies where he kills things, or is at least around things being killed.
Did you know, however, that between leaving the UK and making it big in Hollywood he appeared in one of the most disappointing video games of the 1990s?
Well, he did. And that game was Privateer 2.
Privateer is one of the greatest video games of all time. Marrying the space trading/combat mechanics of acclaimed PC game Elite with the trappings of the popular Wing Commanderuniverse, it’s one of the high water marks of both developers Origin and the space combat genre in general.
In 1996, a sequel was released. It was called Privateer 2: The Darkening. And it was an abomination.
Set in the distant future, far removed from the other games in the Wing Commander franchise, it took everything people liked about the first game and threw it out the window. Everything. The worst offender, though, were the game’s full-motion video cutscenes, whose “cheap British sci-fi” aesthetics had absolutely nothing in common with the visual style laid down in Privateer (and the Wing Commander games before it).
Replacing Origin’s trademark “talking heads” with actors seemed like a good idea at the time.Privateer 2 was shot in 1995 at Britain’s famous Pinewood Studios, where classics likeSuperman, Aliens and Batman were filmed, not to mention every James Bond and Harry Potter movie ever made.
Joining that cast would be a young British man by the name of Clive Owen. While a respected actor in the UK, Owen had yet to make his Hollywood debut, makingPrivateer 2: The Darkening his first truly international gig.
He played Lev Arris, the “star” of the show, and proceeded to spend the entire game baking under extreme lighting, wandering around sparse sets and trying not to look as confused saying his ridiculous lines as he obviously felt.
Granted, Owen’s poor performance isn’t entirely his fault. He could only work with what he was given, and the game’s editing (and obsession with close-ups) didn’t help. But still. This is a far cry from the strong, moody work we’ve come to expect from a man who’s made films likeChildren of Men his own.
Despite some initial positive reviews, Privateer 2 has a lot in common with the second Deus Exgame, in that most people entirely disagreed and consigned the game to the dustbin of history. Which probably suits Owen just fine; unlike Christopher Walken, who filled a career slump byrevelling in his hammy video game roles, Owen never returned to gaming, instead focusing on Hollywood.
Rare (though not unheard of) for a video game, it would also boast a respectable cast, including Christopher Walken, John Hurt and Brian Blessed.
I guess after starring in King Arthur,Children of Men, Sin City and Elizabeth, emerging as something of a lady’s man, he made the right choice.
Clive Owen has said that he relished the chance to play For Whom the Bell Tolls writer Ernest Hemingway in an upcoming HBO film.
Hemingway & Gellhorn tells the story of the writer’s stormy relationship with wife Martha (Nicole Kidman), set against the backdrop of the Spanish Civil War.
Owen explained that researching Hemingway’s intriguing life story was one of the major perks in signing on for the movie.
“It was fantastic. It was an opportunity to immerse myself in everything. I visited everywhere [he went],” the actor told Parade. “I went to Paris, Cuba. I just loved it and had the most fantastic time. And I obviously had a great time with Nicole Kidman and working with her. And the script was written beautifully.”
Owen was also asked whether it was intimidating to play an iconic figure like Hemingway.
He answered: “If you stop to think about it too much, of course, but the script is so good. Just as an actor responding to the material… You’re never going to please everybody.
“The minute you say Clive Owen is going to play Hemingway, you’ve lost some of them. That’s just going to happen. I loved the project so much and I had the most fantastic time.”
Hemingway & Gellhorn is expected to air next spring on HBO.
Owen previously admitted that he has considered retiring from acting.
If you’re in the mood for a lot of rockin’ sockin’ action choreographed by people not wearing superhero costumes, “Killer Elite” is for you.
This movie has the enticing match-up of Clive Owen vs. Jason Statham. Owen, who has delved into drama and comedy, also has proven himself in physical roles in “Shoot ’em Up” and “Sin City” while Statham is probably the top action star today. When these two get together in “Killer Elite,” it’s not to hug it up to the beat of drums and sing “Kumbaya.” They basically want to inflict permanent damage on each other. If they were to become allies and team up with Matt Damon’s Jason Bourne, this trio would pave a swath of mayhem for miles.
In the give-and-take of the action film, there has to be a plotline to justify all the destruction, and these interludes do interfere with the flow of the excitement. “Killer Elite” is based on a supposedly true story that involves political intrigue and the dangers when professional killers get too zealous in their mission.
Statham’s character, Danny, is a top-notch special operations agent teamed up with a veteran mentor, Hunter (Robert DeNiro). During one of their missions, Danny almost kills an innocent boy, and this leads him to retire, a decision made even more rewarding when he returns to his home town and falls in love with a local woman, Anne (Yvonne Strahovski). After about a year of contentment, Danny receives a parcel that forces him back into the game.
The parcel contains a photo of Hunter, now being held captive by a sheik in Oman. The price being levied for Hunter’s release is high: Danny must track down three British agents in the elite fighting corps SAS who killed three of the sheik’s sons. They must present recorded confessions of their deeds and then be terminated in what looks like accidents.
Danny, after failing to spring Hunter, must take on the mission. He is teamed up with Davies (Dominic Purcell) and Meier (Aden Young).
Unfortunately, the SAS guys, knowing they could be targeted for reprisals, are in a high state of paranoia, and Davies’ snooping around, acting like a former SAS operative, arouses the suspicions of Spike (Owen).
Spike is associated with a secret group of old men who have their hands dirty and a lot of secrets to keep. These guys are similar to the anonymous bunch of greybeards who were in cahoots with the invading aliens in many episodes of “The X-Files.” Despite all the power this group has, it is not willing to assist Spike in tracking down and stopping Danny and his men.
Thus Spike is on his own, and stuck with assistants not nearly as sharp as he is. Inevitably, Danny and Spike go head to head in a brutal fight that in reality would have led to broken bones and a lot of bloodletting.
There are twists and turns, of course, with the usual subplot of Anne being threatened – which gives DeNiro a chance to inflict some damage in his role as Anne’s bodyguard. There are setups and betrayals leading to one more confrontation between Danny and Spike, two guys who could hold a stare-off for days, maybe weeks, with neither blinking.
Source: Pasadena Star News